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The Buried Giant: A novel (Vintage International)-Kazuo Ishiguro

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From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day comes a luminous meditation on the act of forgetting and the power of memory.   In post-Arthurian Britain, the wars that once raged between the Saxons and the Britons have finally ceased. Axl and Beatrice, an elderly British couple, set off to visit their son, whom they haven't seen in years. And, because a strange mist has caused mass amnesia throughout the land, they can scarcely remember anything about him. As they are joined on their journey by a Saxon warrior, his orphan charge, and an illustrious knight, Axl and Beatrice slowly begin to remember the dark and troubled past they all share. By turns savage, suspenseful, and intensely moving, The Buried Giant is a luminous meditation on the act of forgetting and the power of memory.

Book The Buried Giant: A novel (Vintage International) Review :



Is it better to remember—or to forget? Is memory a treasure that gives our lives meaning and shapes our identities—or a curse that keeps us from feeling love and acceptance in the present?The Buried Giant is an ideal example of what rich, meaningful, challenging literary fantasy can do.It's reminiscent of Ishiguro's own work (Never Let Me Go similarly exemplifies the potential of literary science fiction) but also of the philosophical, allegorical, character-driven fantasy of Mervyn Peake, Gene Wolfe, Ursula Le Guin, and Margo Lanagan (whose amazing Tender Morsels is also a must-read), among others. Imagine Wolfe's Wizard Knight series with its Arthurian setting and unpredictability but with elderly protagonists, a smaller cast, and a focus on memory (and how it can provide meaning and also create pain—for individuals and nations) and you'll have a good picture of what to expect from The Buried Giant.Literal events are comprehensible with some effort (despite shifting points of view and breaks in chronology as characters start stories and only later explain the events leading up to them), but the novel leaves open profound questions about love, war, violence, and memory. It's also consistently beautiful and engaging at the sentence level—unlike in much generic fantasy (which sometimes presents elaborate worlds and plots but falls flat in emotion, dialogue, and characterization), characters each speak and act in completely distinct ways, and there is wit and meaningful, often moving emotions in the smallest incidents. The novel is more about its characters and themes than its plot, and it isn't dependent on lots of things happening, but by the end, the lives of the characters, and the shape of their world, are indeed fundamentally changed.Unfortunately, books like this often disappoint the two groups of readers who give them a chance: readers of realistic literary fiction, who are turned off that it's fantasy, which they foolishly see as subliterary (even though most of the history of literature before the development of realism actually consists of what we'd now consider fantasy, and the kind of primarily commercial fantasy thought to define the genre is merely an invention of the last few decades), and readers of generic/commercial fantasy, whose conventional expectations (a standard quest, action, completely clear storytelling, an enormous amount of world-building, etc.) will be frustrated by the novel's literary style and focus on character and theme.But for those who can appreciate literary fantasy (my own favorite form of literature), it will be magical—the kind of book to read and reread and give to others in the hopes they will feel the same.
I have never read anything quite like this ever before..The Buried Giant is part fable, part road-story, part exploration of character: when the point of the journey and the backstory becomes clear, it was as if a light came on. I can think of some people who'd find this writing infuriating: the whole way in which it's handled makes it hard to work out whether what's being described is the world as it is or the world as it's being seen by the characters. Once I'd decided simply to allow the author's approach to work itself out, I loved it: but, as I say, it's a really strange book, a really strange way of writing. And: please note my star rating: once I'd finished it, I thought it brilliant!( I went on to read some of the author's other works: they're quite different, both from this and really, from each other: but just as skilfully written! I now have a new author to follow)

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